lionel trilling on the teaching of modern literature summary

Publication date 1966 Topics Literature, Modern, Literature, Modern, Literature and society Publisher London, Secker & Warburg Collection inlibrary; printdisabled; internetarchivebooks; china Digitizing sponsor In that essay Trilling exposed a dualism of response that many other literary people feel but few care to state. The criticism of Lionel Trilling and Edmund Wilson continues to be a source of pleasure as well as instruction. Implicit in Trilling’s argument is the notion that revolutionary ideas of modern literature should not be allowed to be domesticated. Trilling was a strenuous thinker who was proud to think “too much.” As an intellectual he did not spare his own kind, and though he did not consider himself a rationalist, he was grounded in the world. Beyond culture: essays on literature and learning by Trilling, Lionel, 1905-1975. Life in Culture: Selected Letters of Lionel Trilling provides the most extended intimate view of Trilling that we have. Publication date 1965 Topics Enseñanza, Cultura, Littérature, Literature Publisher New York, Viking Press ... Internet Archive Language English. He was a prodigious correspondent; in one of his missives collected here, Trilling estimates that he writes 600 letters a year. According to the humanistic view, it is of course one of the distinguishing characteristics of literature that in it teaching and delighting … Beyond culture; essays on literature and learning by Trilling, Lionel, 1905-1975. Editor’s Introduction By 1955 Lionel Trilling already had been teaching modern literature at Columbia University for a generation. Bringing together the thoughts of one of American literature’s sharpest cultural critics, this compendium will open the eyes of a whole new audience to the work of Lionel Trilling. An essay of perhaps a decade ago, “On the Teaching of Modern Literature,” brought this dispute to a sharpness unusual for a critic who generally prefers the canny pleasures of the tangent. Trilling belongs, with Edmund Wilson, to critics of culture, in particular I don't know if Lionel Trilling's major critical essay, "On The Teaching of Modern Literature", began as a one-page announcement on a Columbia bulletin-board. The Literary Criticism of Lionel Trilling It is not easy to focus on the literary criticism of Lionel Trilling if literary criticism is understood strictly as comment on literature: theories about it, principles, and specific texts. In the essays comprising The Liberal Imagination, the particular body of ideas (or ideology) whose relation to modern literature fell under Mr. Trilling addresses these concerns in another key essay, ‘On the Teaching of Modern Literature’ (1961) where he suggests that after all of the technical analyses of literature are performed, there is still the question of ‘bearing personal testimony’, which means the exposure of the self in judging a work true or false. 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