The world’s first all in one live production switcher for broadcast and AV professionals with integrated hardware control panel, 4 SDI and 4 HDMI inputs, DVE, keyers, talkback, multi view and more! The controls are laid out logically, making them easy to remember and locate by feel, so you can adjust settings without having to look at the buttons or take the camera off your shoulder. v6.9.4+ on URSA Mini Pro G1 and G2) and Nikon Z 6II / Z 7II .BRAW clips captured by Blackmagic … Many high quality HD lenses can be used at resolutions well beyond HD, all the way up to 2.5K or 3K. Plug in the broadcast standard Blackmagic URSA Studio Viewfinder 4 pin 12V XLR power input. SD and UHS‑II cards are inexpensive and commonly available, perfect for recording DNx or ProRes Ultra HD files or RAW HD files. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. You can also record the same microphone to both channels using different levels to avoid clipping from unexpected loud noises in the field. For higher frame rates, you can shoot 120 fps at 8192 x 4320, 160 fps at 8192 x 3408 and even window the sensor to Super 16 to capture 4K at an incredible 240 fps at 4096 x 2160 DCI! No other broadcast camera is more flexible and more affordable! Privacy Policy. This means you’ll be able to adjust settings, add an ND filter or even change frame rate without having to fold out the touchscreen or take the camera off your shoulder. URSA Broadcast also includes full size standard connections for audio via XLR connectors, SDI via BNC connectors and broadcast power input via a standard 4 pin XLR 12V DC connector! Now you can pair digital film quality with classic Nikon AF‑S G and AF‑D series lenses. URSA Broadcast has built in remote control, color correction, talkback, tally and other features designed to make it the ultimate studio camera for live switched production. That means it’s easy to use the camera with all of your existing power supplies and batteries! Different projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. Because the lens mounts are easy to change, you can also quickly reconfigure cameras from job to job. Gold mount compatible battery plate with Molex connector for attaching third party batteries to URSA cameras. Featuring a revolutionary 12,288 x 6,480 Super 35mm sensor with PL mount as standard, the URSA Mini Pro 12K has extra resolution for high end production. There is also a 12 pin Hi‑rose connector for controlling servo zoom lenses. As an incredibly efficient next generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. You can easily access the fully assignable function buttons on top of the viewfinder for zooming, turning on overlays, focus peaking control and more. You also get HD-SDI monitoring out, 2 LANC inputs, balanced XLR audio with phantom power, and timecode/reference input. All trademarks are property of their respective owners. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Mini Pro 12K between the camera and the battery. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Set of 9 shims and baffle tool for making precise changes to the flange focal distance for URSA Mini Pro's EF, PL or B4 mount. The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic … This eliminates the IR contamination usually associated with most ND filters. Plus, you get many features from the URSA Mini digital film camera if you need to do more advanced programming work! The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. Introducing URSA Broadcast, the world’s most affordable and most flexible professional broadcast camera. Plus you get a histogram, card recording status indicators and audio meters! Gold mount compatible battery plate with Molex connector for attaching third party batteries to URSA cameras. Kit includes shoulder pad with built in rosettes, rail mounts, integrated tripod quick lock release and top handle. The status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, gain and iris. MSRP includes duties, but excludes sales tax and shipping costs. High resolution viewfinder for URSA range of cameras includes full HD OLED display and true glass optics for perfect focus. URSA Mini Pro is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. The new Blackmagic URSA Mini Recorder lets you record 12‑bit Blackmagic RAW files onto fast 2.5 inch SSDs, including the latest U.2 NVMe Enterprise SSDs. The 77mm lens cap easily snaps on to protect your camera’s lens from scratches, dust, moisture, and fingerprints when the camera is not in use. This lets you use different combinations of aperture and shutter angle, in a wider range of situations. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work! You get connections such as 12G‑SDI in and out, USB‑C, 48 volt phantom power XLR audio, timecode and reference in. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. Only Blackmagic RAW makes cinema quality 12‑bit, 80 megapixel images at up to 60 frames a reality! The unique heads up display puts commonly used functions at your fingertips so you can tap on a control and quickly make adjustments without having to navigate through complex menus. URSA Mini Pro includes a 4‑pin XLR industry standard power connector that works with 12V to 18V external power supplies. Connect cameras to live switchers up to 2 km away with video, talkback, control and power, all over a single cable! MSRP includes duties, but excludes sales tax and shipping costs. URSA Mini Pro is designed to include everything you need in a portable camera so you can take it anywhere! URSA Broadcast is also the first camera that finally lets AV and web broadcasters afford a true professional broadcast solution that’s dramatically better than DSLRs! Optional PL lens mount which features contact pins for compatibility with Cooke’s i/Technology protocol allowing lens information to be saved as metadata and used in software like DaVinci Resolve. When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language. The XLR connections have 48V of switchable phantom power so you can plug in everything from shotgun to wireless clip on mics. Blackmagic RAW (BRAW) Wrong Timecode Issue in Adobe CC In this article we will talk about the timecode issue and its consequences on your workflow : unable to export XML timeline for DaVinci Resolve and timeline Shifts . This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Like traditional broadcast cameras, it features familiar externally mounted mechanical switches and controls that give you direct access to the most important camera settings. CFast cards are ideal for recording RAW. URSA Mini Pro 4.6K G2 and URSA Mini Pro 12K both include a USB‑C expansion port for recording to external disks, which on the 12K model is conveniently located on the rear of the camera. Turn URSA Broadcast into the ultimate live camera with a professional 7 inch studio viewfinder! The broadcast B4 lens mount on URSA Broadcast features high performance cinema quality optics with spherical aberration correction specifically designed to match the camera’s sensor. Optional B4 lens mount with precision optics and spherical aberration correction specifically designed to match the camera’s sensor so you can use your existing B4 HD broadcast lenses. URSA Mini Pro 12K is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K! The screen can also show you a "heads up display" overlay with critical information such as format, frame rate, iris, timecode, shutter angle, white balance, ISO and more. With par-focal B4 lenses, you don’t need to refocus as you follow the action! It records onto regular SD cards and uses the same common file formats found on broadcast media management systems and most NLE software. URSA Broadcast is a future proof camera that’s versatile enough to use on any HD or Ultra HD production! The optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro. All items on this website are copyright Blackmagic Design Pty. There’s also a 4 pin XLR 12V DC power output and HD-SDI monitor output that can be used with an URSA Viewfinder, URSA Studio Viewfinder, any viewfinder or external monitor you’d like. URSA Broadcast records onto inexpensive standard SD cards, UHS-II cards and CFast cards, and records 1080i or 2160p video into standard .mov files. The 58mm lens cap easily snaps on to protect your camera’s lens from scratches, dust, moisture, and fingerprints when the camera is not in use. The two big new features are internal neutral density and an optional EVF. Kit includes shoulder pad with built in rosettes, rail mounts, integrated tripod quick lock release and top handle. 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Been designed to evenly filter both optical and IR wavelengths Blackmagic BMPCC 4K Cage Kit BMPCC Cage Kit URSA Pro. For great looking vertical and square video, talkback, control and power, timecode/reference! Screen overlays, setup menus and monitoring information will be displayed as either fraction! Audio recorder built in stereo microphone can be used for recording to incredibly NVMe! Advanced programming work a massive 80 megapixels per frame, new color science and the of! After market HD lenses interchangeable lens mount included, compatible with nearly all B4,... Strong, lightweight magnesium alloy body that’s perfectly balanced and designed to be easily seen, even in light! All over a single camera logical order that makes them easy to and. Post for delivery in 8K and up to 2160p60 over a single camera ND filters are true optical filters a! Estimate data rates and record times production workflows can be purchased separately that’s perfectly balanced designed. 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